Lately the lack of abandoned buildings in the five boroughs has had me ruin-hunting on the distant shores of New Jersey and the Hudson River Valley. But all the while there was something incredible hiding in plain sight just a ten minute walk from my apartment. Just when it seems there is nothing left to find, this city will surprise you.
I had admired the building for some time, having first spotted it on a walk around my neighborhood a year or two ago. It was obviously some long-forgotten industrial relic, with a rather plain, but towering, facade. I had never heard of the place and could only find a single picture of it on the world wide web, with nothing of the interior. It seemed, at the time, that this could be one of the exceedingly rare “undiscovered” abandoned buildings in New York City. Who knew what it might look like inside? Most likely an empty shell, I thought, or else I would have heard of it.
It lingered long in my daydreams through the coming months, but I never attempted to stop in until December, when out of the blue I found myself walking in the direction of that mysterious building, camera and flashlight in hand. Inside, I couldn’t make out much at all but a collapsing ceiling and a floor padded with decades of rust and grime. I went looking for a way to the next level, finding several impassible staircases before settling on one that was relatively intact. Upstairs, I treaded over some rickety catwalks and continued into the main room.
With coal crunching underfoot, I gazed up at the grand four-story gallery of rusted machinery before me. It was likely about a century old, gleaming orange in its old age, scattered here and there with flecks of sunlight cast through the broken windowpanes on the south side of the hall. A hulking configuration of steel beams suspended over all, looking unmistakably like a man doing a jumping jack. Its actual function remains a mystery to me.
Judging by the amount of graffiti, I wasn’t even close to being the first person to find this place, and others have informed me that it’s fairly well-known among diehard explorers. After some careful inspection, it appears that some (though not all) of the graffiti is quite old, I’d guess from the late 70s and 80s judging by the style, and the way in which it has aged, rusting or peeling away with underlying layers of paint and metal.
Paper records from inside the building point to the year 1963 as the last time the plant was in operation. My theory is that the building had been abandoned and left pretty vulnerable to trespassers for a couple of decades before being sealed up tightly some time in the 80s or 90s. Until recently, it’s been relatively untouched since those days, making it something of a time capsule of a grittier New York. Prior to being secured, part of the ground floor was apparently used as a chop shop. An abandoned and gutted automobile had been walled in at some point, entombed like a mosquito in amber on the ground floor.
I can only speculate about what the building was actually used for. My guess would be a coal-burning power plant of some kind, though some artifacts refer to a “pump house.” (UPDATE: These records seem to refer to a separate building, which is still standing a few blocks away. In light of this, I’ve changed the name of this post to “Jumping Jack Power Plant” from “Jumping Jack Pump House”) I could tell you a bit more about its history but I don’t want to give away too much. “Undiscovered” or not, this place is still pretty under the radar, and I’d like to keep it that way for now.
A heartfelt thank you goes out to everyone who’s picked up a copy of my book, and for all of your thoughtful comments.
If you haven’t gotten yours yet, you can head over to abandonednycbook.com to order a signed copy and a free print directly from me, which is the best way to support what I do. (You can also get them on Amazon if you want to save a few bucks.)
It was so great meeting some of you at my Red Room talk last week. If you couldn’t make it to that one, you can still stop by one of these events this month and get your book that way. Hope to see you there!
Most graffiti you find in abandoned buildings is typical teenage nonsense rooted in age-appropriate angst, but there’s something darker and more menacing afoot in the ruins of the abandoned Rutherford Stuyvesant Estate in Allumuchy, NJ. Here, the writing on the wall (and the floorboards, carpets, doors, drawers, siding, and ceilings) reads like the raving of a madman—a troubled soul racked with such incalculable rage he created a monument to his own foul-mouthed fury. This is not your run-of-the-mill teenage rebellion. This is the Profanity House…
To find it, take a dirt lane off a country road til you reach the remnants of a regal old gate, recently stripped of its intricate wrought-iron bars. From there, it’s a short walk to the base of a hill where you’ll catch your first glimpse of the house, which proves to be not a single structure, but a collection of several residences, barns, and farm houses that once made up a working component of the sprawling Stuyvesant Estate.
The name will ring a bell for most New Yorkers, and anyone familiar with Bed-Stuy, Stuy Town, or Stuyvesant High School. The Stuyvesants were, in fact, the ancestors of Peter Stuyvesant, the last Director General of New Netherland before it was ceded to the English in 1664 and renamed New York. At the turn of the twentieth century, Rutherford Stuyvesant expanded the family’s New Jersey estate, called Tranquility Farms, to include 5,000 acres of land, including a 1,000 acre private game preserve. At the center of the operation was a 65-room mansion, which burned to the ground in 1959. In the 60s land was purchased by the state for highway construction, and later the expansion of Allamuchy State Park. Tranquility Farm’s remaining structures have been slowly settling into the wilderness ever since. Just a few are still standing, and many collapsed into their foundations long ago.
Be advised: if you’re sensitive to foul language, you might want to skip the rest of this article.
Inside, the Profanity House lives up to its name. On every accessible surface, an unknown penman commands a rotating list of men to commit unspeakable acts to each other, themselves, and their mothers. Harper, Larry, Nate, Elvin, Jack Palmer, Billy Hatley, and the rapper Eminem, for good measure, are invited to drink, eat, lick, cram, f***, and suck just about every appendage, orifice, and human waste product known to man and beast. The most common target is Mark, aka “Miss Mark,” who’s clearly the most detested of the bunch. The obsenities range from the awkward and amateurish “LICK MY ASS HOLE YOU ASS HOLE,” “GO F*** YOURSELVES YOU F***ING SHIT ASSES,” to the inventive and virtuosic “YOU DRINK PANTHER PISS,” “EMINEM GETS F***ED UP HIS FILTHY DISEASED C**T BY QUEER BILLY GOATS WITH RABIES YOU MOTHER F***ING WORTHLESS C*** SUCKING PIECE OF C*** SUCKING SHIT.” Well then.
Inside the largest house, the author rhapsodizes on the myriad surfaces of a kitchen cabinet, leading to a thrilling, and mystifying conclusion: “AND FINALLY YOU LICK THE SHIT AS IT SLIDES OUT OF A ZYZZYVA’S ASS HOLE, YOU STUPID C***SUCKER” (For those that don’t know, the zyzzyva is an African species of weevil, but the word is better known as the last entry in most dictionaries.) This line in particular gives me reason to believe there is more than meets the eye to the endless vulgarity. Is there some alphabetic code to unlock the true meaning of all this? Is this diatribe really an incantation, more cryptic than it first appears, or have I been reading too much of the Southern Reach trilogy?
The longer you analyze the words, a picture of a truly disturbed young man comes into focus. Considering how he must have done it, spending days and nights in the woods alone, brooding over some slight or betrayal, venting his anger the only way it could find expression—there’s a sadness and desperation to it all. I, for one, wish him well, and can’t help but admire his commitment and marvel at the scale of his project.
With the sun setting and the shadows deepening, I took the trail back to the gravelly old Stuyvesant Road and headed to the highway, passing three or four more tumbledown houses I hadn’t noticed on my way in. Through their boarded windows and gaping doors, I caught more words on the walls of the dark interiors, written in a familiar hand: “PALMER DRINKS WILDEBEEST WEE WEE THAT C***SUCKER.” So I’d only scratched the surface of this bizarre manifesto; the rest would have to wait for another trip.
Click to enlarge and find your favorite obscenity: