Exploring the buildings can be confusing and perilous. One ward’s heavy wooden doors had the nasty habit of slamming shut and refusing to open again, which can be a serious situation when there’s only one or two ways out. My solution was a series of improvised doorstops–beer cans, scraps of debris, whatever I could get my hands on–which doubled as a trail of breadcrumbs to give me a reasonable hope of finding my way out again.
One of Rockland’s most interesting features is the old four lane bowling alley. It’s a heavily trafficked area full of tempting props. Pins, balls, shoes, and trophies have been endlessly moved around, manipulated, and arranged into perfect triangles in the middle of the lanes. While I don’t blame fellow photographers for this sort of thing, it can be disappointing to walk into something that looks more like a stage set than a wild, unpredictable ruin. I’ll take that over the mindless graffiti–some if which I removed with a little Photoshop magic in the images below.
Despite all the modern mischief making, the bowling alley represents the best intentions of the institution to provide quality of life to patients who spent their lives at Rockland. These lanes must have been a welcome distraction from the monotony of asylum living.
Stay tuned for an upcoming post on the Rockland Children’s Hospital, which features an impressive collection of WPA murals.
At the turn of the twentieth century, tuberculosis was the second leading cause of death in the city and a major world health concern known to disproportionately affect the urban poor. In New York City, two-thirds of the 30,000 afflicted were dependent on city agencies for treatment. Growing concern from charitable organizations spurred the establishment of New York’s first public hospital designed exclusively to treat tuberculosis, care for the “sick, poor, and friendless,” and keep the epidemic under some measure of control by isolating sufferers from general hospitals. If you were diagnosed with tuberculosis in the early 1900s, your prognosis was grim. Lacking a cure, the only treatments thought to ease symptoms were fresh air, rest, sunshine, and good nutrition. A pleasant view was also considered essential for staving off depression. For this reason, hospital planners settled on a privately owned 25-acre hilltop parcel in rural Staten Island called “Ocean View,” just across from the already established New York City Farm Colony.
The plot was surrounded by a vast expanse of forested land (known as the Greenbelt today) which enabled the hospital grounds to expand as necessary. When Sea View Hospital was dedicated on November 12, 1913, the New York Times called it “the largest and finest hospital ever built for the care and treatment of those who suffer from tuberculosis.” The Commissioner of Public Charities claimed it was “a magnificent institution that is vast, ingenious, practical, convenient, sanitary, and beautiful, the greatest hospital ever planned in the world wide fight against the “white plague.” Though the new facilities effectively eased the suffering of tuberculosis patients and provided housing for the poor, little could be done to actually save lives in the long term. Most eventually succumbed to the disease.
In 1943, the development of the antibiotic streptomycin at Rutgers University led to a series of breakthroughs in the treatment of tuberculosis over the next decade, and much of that research took place at Sea View Hospital. The enthusiasm over these dramatic developments is captured in a 1952 report by the Department of Hospitals: “Euphoria swept Seaview Hospital. Patients consigned to death at the hands of the White Plague celebrated a new lease on life by dancing in the halls.” The transition was swift. By 1961, Sea View’s pavilions were practically emptied as patients miraculously recovered as a result of the new therapies. Today, a long-term care facility operates in several of the buildings and some structures have been repurposed by community agencies and civic groups, but much of the Sea View Hospital campus lies abandoned.
Past a fenced enclosure delineating the active section of the hospital, the grounds give way to the bramble-choked wilds of the Staten Island Greenbelt. The creepy ruins of the old women’s pavilions situated on the northern border are a popular detour on hikes from the neighboring boy scout camp. To the east lies the imposing Children’s Hospital, completed in 1938 and abandoned in 1974. Its spacious, window-lined solariums are typical of earlier Sea View wards, flanked on either side by open-air porches which were occupied by recovering patients 24 hours a day during the height of the epidemic. In an otherwise clinical Landmarks Preservation Commission report published in 1985, the researcher notes that “the building rises from a deep slope… Wooded surroundings, particularly dense to the east and south of the building, enhance the sense of isolation.” The view he’s describing is indeed one of New York City’s most surreal (pictured below in 2012).
Reuse of the structure seems extremely unlikely given the large number of abandoned buildings within the active hospital complex that would make better candidates for restoration. Area conservationists are fighting to keep the surrounding woodlands protected from developers by making it a permanent part of the Greenbelt network of natural areas, and the building itself is nominally protected from demolition as part of Sea View Hospital’s historic district designation. That doesn’t mean that the building won’t serve a purpose as it continues to crumble. As I’ve mentioned in previous posts, Staten Island teenagers have a long history of voraciously exploring (and vandalizing) their local ruins. With the renovation of the Willowbrook State School in the 1990s, the later demolition of the Staten Island Monastery, and the impending restoration of the New York City Farm Colony, the isolated, under-the-radar Children’s Hospital may be next in line as the site of that requisite rite of passage. Only time will tell.
IN OTHER NEWS… my friend Oriana Leckert‘s book “Brooklyn Spaces” is out this week. We’re a bit like kindred spirits, Oriana and I, but she goes more for the crowded, lively, and creative than the empty, eerie, and decrepit. The (50!) places profiled in the book show the authentic, human side of the global phenomenon that is “Brooklyn cool,” highlighting the heartfelt endeavors of a wave of culture makers that migrated to the borough for cheap rent and fashioned a network of bustling performance venues, art enclaves, and meeting places out of Brooklyn’s post-industrial landscape. Her obvious passion for offbeat museums, community gardens, communal living spaces, and out-there artist residencies is beyond infectious. Do yourself a favor and pick up a copy! And head to what I’m sure will be a raucous, sweaty launch party on May 30th.
I outlined New Jersey’s Essex County Hospital in a previous post, but a few months back I made it out a second time to explore a little further. I ended up in the tunnels underneath the wards, where I found a file room stuffed with material dating from the 1930s to the 1980s, near the last years of Essex County Hospital’s operation. The records are scattered in cardboard boxes with no apparent system of organization, many of them overtaken with mold and rot.
Much of what’s been left here is mundane, day-to-day operational notes on staff, time sheets, and maintenance, but some of it is rather enlightening. There are decades’ worth of doctor’s notes, admission records, and log books detailing the daily activities of individual residents, some describe a patient’s entire life story in a single paragraph. The scale of it is truly overwhelming when you start flipping through the files page by page.
As I’ve mentioned before, many of the patterns of neglect well-documented in the age of institutions have shifted to the criminal justice system today. In New York City, the mentally ill now account for 40% of the prison population. To make matters worse, an epidemic of violence against mentally ill inmates at Rikers Island came to light this summer, causing an uproar. Now, the de Blasio administration is pushing for a major $130 million initiative that strikes at the heart of the problem, aiming to keep repeat low-level offenders out of prison and get them into treatment programs. From the Times article: “The changes include tripling the size of both pretrial diversion programs and the amount of resources devoted to easing the transition from jail back into society. This would represent a significantly different approach to criminal justice in the city, experts said. But they cautioned that nothing of such scale had been tried by a municipality before, and that putting the plan into effect would be difficult.”
As we look forward, it’s worth taking a moment to look back. What follows is a tiny sampling of the massive amount of records, artifacts, and ephemera left behind in the wards of Essex County Hospital and that moldy file room in the basement. You can read for yourself, just click to enlarge.
For 124 years, a castle with many names loomed over the quiet neighborhood of Thompkinsville, Staten Island. Perched on a six-acre hilltop covered in creeping vines, the striking red brick chateau could have been the backdrop of a fairy tale until thirty years of neglect made it the perfect setting for a Gothic horror. On an early March morning in 2012 while most of the island slept, wrecking balls converged at the Frost Memorial Tower of the old Samuel R. Smith Infirmary. In a matter of hours, the hospital was brought to the ground. Dozens gathered to watch her fall.
Today, the rubble-strewn lot is a symbol of lost history and lost hope for members of the Preservation League of Staten Island and their supporters, whose passionate and repeated efforts to save the building did little to sway the resolve of the Landmarks Preservation Commission. City engineers who inspected the structure confirmed that the building was in a state of progressive collapse, and would have proven a hazard to firefighters entering the building in the event of a blaze.
Named for a doctor who dedicated his life to the treatment of the poor, the Samuel R. Smith Infirmary was founded in 1863 as the borough’s first private hospital. Principally funded by lavish charity balls, the organization was the pet project of the borough’s high society, known as the “Pride of Staten Island.” By the turn of the twentieth century, the Infirmary had outgrown its former home, and the cornerstone was laid for a new building, named the Frost Memorial Tower in honor of the wealthy benefactor who had gifted the hilly plot of land. It was destined to become one of Staten Island’s stateliest buildings.
Though the Smith Infirmary was established for the poor, it soon opened its doors to the general public and was renamed Staten Island Hospital in 1916. Many notable actors, lawyers, and political figures were treated there, among more mysterious cases. In 1907, an Infirmary doctor was murdered by the husband of a former patient who had passed away during an operation. The damning evidence that led to the man’s execution is still visible in Cypress Hills Cemetery. On his wife’s grave is the following epitaph: “Revenge renews our happy love in heaven forever.”
By 1974, the once-rural land surrounding the complex had become densely populated, leaving little room for expansion. At the time, one hundred patients were waiting daily for admission, and parking had become a serious problem. The campus was abandoned in 1979 when the hospital relocated to a new building on Seaview Avenue.
In 1983, the Landmarks Preservation Commission declined to designate the Smith Infirmary’s signature building despite its architectural and historical significance. In what had become a rough neighborhood, the derelict hospital quickly gained a reputation for illicit activities, and landmark status was likely to hamper redevelopment. The land was targeted early on for a series of residential development schemes that never came to fruition. As the building deteriorated, the property became a hotbed of real estate fraud and a haven for the neighborhood homeless, but many held fond feelings for the structure—locals called it “the Castle.”
Through 33 years of abandonment, the degraded walls, slumping ceilings, and precarious floors of the Infirmary were utterly devastated by the elements. The smell of mold and rot permeated the interior. Wind blustered through its second floor landing, causing boards and debris to smack and rattle at odd intervals. These were the dying breaths of a squandered architectural treasure. Rest in pieces, Staten Island Castle.
It seems that everyone in Cedar Grove, New Jersey has a spooky story or two about the Overbrook Asylum. Though it only closed down officially in 2007, the complex has long been home to abandoned buildings, and local lore has been quick to populate them with unexplained voices, vengeful spirits, and mysterious presences. Situated among public parks and residential neighborhoods, the decaying asylum known by many as “the Bin” has become a well-known hangout for teenagers, ghost hunters, scrappers, and other curious parties, much to the consternation of local law enforcement. In 2008, the local sheriff amped up police presence on the property, leading to 34 arrests over the course of 3 days, though it was rented out as a location for the tacky Travel Channel series “Ghost Adventures” the same year. Rumors of 24/7 surveillance still serve to ward off would-be trespassers, but on the gloomy Sunday morning I set out to explore the aging asylum, not a soul, living or dead, patrolled the 100-acre grounds of the old Essex County Hospital.
I won’t rehash the history here that most every American asylum shares. (For a more detailed account, read up on psychiatric treatments at Kings Park Psychiatric Center and the “farm colony” design of Letchworth Village.) Suffice it to say that the good intentions Overbrook was founded on in 1896 couldn’t hold up to the harsh realities of overcrowding and underfunding that characterized mid-20th century institutions. This dark period of neglect ended, for the most part, with the development of new “wonder drugs” for the treatment of serious mental disorders, which led to the abrupt closure of asylums across the country.
Though there’s little to differentiate the history of Overbrook Asylum from the dozens of similar institutions across the northeast, one particularly notorious episode stands out. On Dec 1st, 1917, the hospital’s heating and lighting plant broke down, sending temperatures plummeting inside the dormitories. As a cold snap hit New Jersey in the following weeks, 24 patients died as a result of or in conjunction with exposure, along with 32 cases of frostbite. In an act of desperation, the medical superintendent sent out letters to patient’s families in the hope that many would come to retrieve their relatives, who he admitted were living in “far from comfortable” conditions.
Even in the best times, “comfortable” isn’t the first word that comes to mind when describing the way of life of the thousands of mentally ill patients who called Overbrook home. An impressive amount of artifacts remain throughout the maze of interconnected dormitories, offering a look into the individual lives that make up its collectively tragic history. At every turn, large-scale photo murals of nature scenes and wildlife adorn the beige and sea foam walls of the wards. Elsewhere, holiday decorations clutter the floor. Stockpiled in cabinets are jolly snowmen, grinning halloween skulls, festive scarecrows, and gleaming easter bunnies, anything to distract from the clinical gloom of the wards. Out of the clustered piles of clothing, medical supplies, and craft projects, the terse, impersonal lines of a handwritten card speak volumes on the isolation of the unfortunate men and women who spent their lives forgotten behind asylum walls: “Dear John, I hope you are well and happy. I’m feeling okay. Miss you. Love, Mom.”
The decrepit hospital closed down in 2007 when a new state of the art facility opened up nearby, which still operates today. By that time much of the property had already been long abandoned, with a dwindling patient population due in large part to the effective treatments developed in the 60s and 70s, as well as the pressure to discharge anyone who wasn’t a threat to themselves or others, no matter how unprepared they were to get by on their own in the outside world. Contrary to a few adamant commenters in online forums, most of the Overbrook campus is still standing on the east side of Fairview Avenue. A development plan to demolish the complex soon after it closed in 2007 would have brought 78 luxury single family homes to the area, but it never panned out. Today, the property is county-owned. Though plans were put in place to convert the land to a public park in 2008, little progress has been made in that regard.
As Overbrook continues to crumble, the treatment of the mentally ill has been making headlines in recent months, and it’s troubling to see the same familiar patterns play out in an even more brutal setting—the prisons cells and solitary confinement units where many of today’s mentally ill end up. A recent article in the New York Times outlines a harrowing study of an epidemic of violence toward mentally ill inmates at Rikers Island which rivals the worst cases of abuse in the age of institutions. Earlier this week, a positive step was made on the West Coast, where the California Department of Corrections has introduced new standards for the treatment of the mentally ill living in the prison system. Here’s hoping this results in legitimate changes that can be instituted across the country.
Last month Vocativ.com followed me through three decaying institutions in New York City, resulting in a three part series, “A History Abandoned” which you can check out on YouTube. If you’ve ever wondered what it’s like to venture inside an abandoned building, these videos give you a pretty good idea. Props to Vocativ for keeping the focus on the history. Let me know what you think and if you’d like to see more like this in the future!
Episode 1: Kings Park Psychiatric Center
Episode 2: Letchworth Village
Episode 3: New York City Farm Colony
The ruins of Long Island’s Kings Park Psychiatric Center are often described as the perfect setting for a horror movie, and sure enough, several have been shot here. Poe and Lovecraft’s narrators may have been writing from asylum cells, but today’s horror heroes are venturing inside the abandoned ones. As shuttered institutions across the United States fall into decay, the insane asylum is showing up with increasing regularity in our scary movies, TV shows, books, and urban legends, quickly becoming synonymous with vengeful spirits, villainous doctors, and murderous mental patients. But while we may enjoy the “thrill of the shudder” while looking back at these places, we should be wary of reinforcing the stigma of mental illness and overlooking the nuanced history of American institutions.
Established in 1885 by the city of Brooklyn prior to the consolidation of the five boroughs, Kings County Asylum followed the farm colony model popular at the time, designed as a self-sufficient community where residents were put to work raising crops and livestock to support the sprawling campus. The labor was thought to be therapeutic, occupying the time and attention of residents and keeping costs down. Early in its history, Kings Park was composed of a group of cottages meant to avoid the high rise asylum model which was already viewed as inhumane. But demand soared as the population skyrocketed in New York City into the 1930s, and in 1939 the institution resorted to constructing Building 93, a 13-story structure whose design was strikingly similar to what it had sought to avoid. At its peak in the 1950s, Kings Park reached a population of over 9,000 residents, who were divided by gender, age, temperament, and physical limitations through a complex of over 100 buildings, which included power plants, fire stations, staff housing, hospitals, recreational facilities, piggeries, and cow barns.
Throughout its history, Kings Park was notable for staying on the cutting edge of psychological science, cementing its place in history as an early adopter and proponent of a succession of new procedures and medications that eventually led to the institution’s decline. In the first half of the 20th century, the psychological community was in a state of desperation, charged with the task of caring for a growing number of mentally ill patients with few treatment options available aside from psychotherapy and the rampant use of restraints and confinement. The 1940s saw the rise of two groundbreaking, albeit crude, procedures that gave doctors effective tools to manage extremely disturbed patients for the first time.
Shock therapy was conceived when doctors observed that the mood of epileptic patients suffering from depression improved after a seizure. The procedure aimed to replicate these benefits by inducing a seizure through electricity or insulin injection. Electroconvulsive therapy, as it’s known today, is still considered an effective treatment, even having a resurgence in recent years. But today’s advanced anesthesia and precise control of the duration and physical effects of seizures is a far cry from what patients went through in the 1940s. Strapped fully conscious to a hospital bed, patients could convulse for up to fifteen minutes at a time, often with enough force to fracture and break bones. Once a patient was admitted to an asylum, they had no right to give or deny consent for these procedures, and in many cases, shock therapy was used as a punitive measure to keep unruly residents in line.
The lobotomy is remembered as one of the most grotesque treatment methods of the era. It was a simple procedure, in which a metal tool was inserted through the eye socket into the skull cavity, and wrenched around to sever the connections of the pre-frontal cortex from the rest of the brain. It was an imprecise and brutal operation, which left lobotomized individuals with no trace of their former selves. Though proponents of the procedure called these results a “second childhood,” lobotomized patients might have been more accurately described as zombies—extremely violent and disturbed residents would be rendered permanently docile, passive, and easy to control. Though it was controversial even in its time, its first proponents were awarded a Nobel Peace Prize in 1949 for their discovery.
The development of effective antipsychotic medication in the mid-1950s signaled the decline of these extreme measures and the institution system as a whole. For the first time, residents once considered hopeless were able to manage their mental illness and live independently. This led to a dramatic shift in institutions across the country from severe overcrowding to near-abandonment as a trend of deinstitutionalization swept through America into the 80s and 90s. But as anxious as the powers that be were to put this dark period of history behind them (and cut funding out of state budgets,) they may have done too much too soon. While medication has made it possible for most people living with severe mental disorders to function on their own, there is still a sizable percentage for whom the available medications are ineffective. Reputable group homes for the mentally ill are few and far between, and out of reach for individuals without a solid support system in place. Many suffering from severe mental illness today are living on the streets, and a growing number end up incarcerated, without proper access to quality psychiatric care. Today, Kings Park stands as a testament to a bygone era, but the problem it sought to address remains unsolved.
Most New Yorkers have never heard of North Brother Island, but they should take comfort in the fact that new trees are growing and manmade things are going by the wayside just a stone’s throw from Rikers and a few miles from LaGuardia Airport. New York City’s abandoned island proves that as much as we think we have a handle on things, nature is never far behind. Just give it time.
In the case of North Brother Island, it took fifty years to transform a sparsely planted hospital campus to a bona fide wildlife sanctuary surging with fresh green life. Established as a city hospital for quarantinable diseases in 1885, it became a disreputable rehab center for adolescent drug addicts prior to its abandonment in the 1960s. To add to the intrigue, the island was the site of a catastrophic shipwreck and the residence of the notorious Typhoid Mary. (For a detailed history of Riverside Hospital, see Ian Ference’s thorough account over at the Kingston Lounge.) Today, opportunistic ivy floods the old lawns and races up the corners of the dormitories. Elsewhere, invasive kudzu—a Japanese import—holds at least an acre of land in its leafy grip. Few animals roam this untrodden landscape, with the exception of a handful of raccoons that took a dip in the East River and discovered the greenest place around.
Even though it’s one of the least inhabited places in New York City, you can still find pathways on North Brother Island. Parks employees and occasional visitors leave a network of rabbit trails on the forest floor, but they taper off on the south side, where a few ruins beckon you further into the weeds. I trudged through the brush for over an hour only to end up right back where I started, and it wouldn’t be the last time I was forced to admit defeat to the thorny wilds of Riverside Hospital. The island plays tricks on you, but it’s liberating to lose your way.
In order to protect the habitat and visitors from harm, North Brother Island is permanently closed to the public, and strictly off-limits during nesting season. Frequently patrolled due to its vicinity to Rikers, it’s known as one of the most difficult places in New York City to get to, which makes it an object of equal frustration and fascination for urban explorers near and far. (I was lucky enough to accompany a photographer with a long relationship with the Parks Department and a buddy with a boat—one or both are pretty essential if you’re trying to get here.)
If you never make it to North Brother Island, take heart in the fact that it’s best appreciated from afar, where distance allows the imagination to fill in the obscured reaches beneath its canopy and populate the crumbling towers visible on its shore. An abandoned island is the most natural thing in the world to romanticize, but in the light of day, the enigma dissolves. As menacing as the old buildings may appear, they’re ultimately indifferent.
But at day’s end, the sun slips low on the horizon and the ruins of Riverside Hospital begin to gleam. Our boat departs just as the light approaches a kind of golden splendor before winking into darkness. Receding from view as you near Barretto Point at sunset, North Brother Island regains a bit of its mystery. Come to think of it, no one’s ever been permitted to go there after dark…
Letchworth Village rests on a placid corner of rural Thiells, a hamlet west of Haverstraw set amid the gentle hills and vales of the surrounding Ramapos. A short stretch of modest farmhouses separates this former home for the mentally disabled from the serene Harriman State Park, New York’s second largest. Nature has been quick to reclaim its dominion over these unhallowed grounds, shrouding an unpleasant memory in a thick green veil. Abandonment becomes this “village of secrets,” intended from its inception to be unseen, forgotten, and silent as the tomb.
Owing to its reputed paranormal eccentricities, Letchworth Village has become a well-known subject of local legend. These strange tales had me spooked as I turned the corner onto Letchworth Village Road after a suspenseful two-hour drive from Brooklyn. Rounding a declining bend, I caught my first glimpse of Letchworth’s sprawling decay—some vine-encumbered ruin made momentarily visible through a stand of oak. Down the hazy horseshoe lanes of the boy’s ward, one by one, the ghosts came out.
By the end of 1911, the first phase of construction had completed on this 2,362 acre “state institution for the segregation of the epileptic and feeble-minded.” With architecture modeled after Monticello, the picturesque community was lauded as a model institution for the treatment of the developmentally disabled, a humane alternative to high-rise asylums, having been founded on several guiding principles that were revolutionary at the time.
The Minnisceongo Creek cuts the grounds in two, delineating areas for the two sexes which were meant never to mingle. Separate living and training facilities for children, able-bodied adults, and the infirm were not to exceed two stories or house over 70 inmates. Until the 1960s, the able-bodied labored on communal farms, raising enough food and livestock to feed the entire population.
Sinister by today’s standards, the “laboratory purpose” was another essential tenet of the Letchworth plan. Unable to give or deny consent, many children became unwitting test subjects—in 1950, the institution gained notoriety as the site of one of the first human trials of a still-experimental polio vaccine. Brain specimens were harvested from deceased residents and stored in jars of formaldehyde, put on display in the hospital lab. This horrific practice has become a favorite anecdote of ghost-hunters and adolescent explorers.
The well-intentioned plans for Letchworth Village didn’t hold up in practice, and by 1942, the population had swelled to twice its intended occupancy. From here, the severely underfunded facility fell into a lengthy decline. Many of the residents, whose condition necessitated ample time and attention for feeding, became seriously ill or malnourished as a result of overcrowding. At one point, over 500 patients slept on mattresses in hallways and dayrooms of the facility, meagerly attended by a completely overwhelmed staff tasked with the impossible.
Having discontinued the use of the majority of its structures, and relocated most of its charges into group homes, the institution closed down in 1996 as old methods of segregating the developmentally disabled were replaced with a trend toward normalization and inclusion into society. The state has made efforts to sell the property, with mixed results. Most of the dilapidated structures were slated for demolition in 2004 to make way for a 450-unit condo development, but the plan has evidently been put on hold. Ringed with ballfields and parking lots, shiny Fieldstone Middle School makes use of nine buildings of the former girl’s group, an island of promise in a landscape of failure.
Off Call Hollow Road, a new sign has been erected pointing out the “Old Letchworth Village Cemetery.” Down a seldom-traveled path, an unusual crop of T-shaped markers congregate on a dappled clearing. They’re graves, but they bear no names.
Few wished to remember their “defective” relatives, or have their family names inscribed in such a dishonorable cemetery—many family secrets are buried among these 900 deceased. Here, in the presence of so many human lives devalued, displaced, and forgotten, the sorrow of Letchworth Village is keenly felt.
As part of a movement taking place across the country, state agencies and advocates funded the installation of a permanent plaque inscribed with the names of these silent dead, and a fitting epitaph: “To Those Who Shall Not Be Forgotten.”
In Queens Village, mere inches of brick and mortar separate the world we know from one of the strangest places in the city. Once a haven for New York’s cast-out mentally ill, Creedmoor Psychiatric Center’s Building 25 has undergone something of a transformation over its 40 years of neglect.
Creedmoor was founded in 1912 as the Farm Colony of Brooklyn State Hospital, one of hundreds of similar psychiatric wards established at the turn of the century to house and rehabilitate those who were ill equipped to function on their own. Rejected by mainstream society, hundreds of thousands of mentally disturbed individuals, many afflicted with psychosis and schizophrenia, were transferred from urban centers across the country to outlying pastoral areas where fresh air, closeness to nature, and the healing power of work was thought to be their best bet for rehabilitation.
As the 20th century progressed, asylums across the country became overrun with patients, and many institutions became desperately understaffed and dangerously underfunded. Living conditions at some psychiatric wards grew dire—patient abuse and neglect was not uncommon. Creedmoor State Hospital was habitually under scrutiny during this period, beginning in the 1940s with an outbreak of dysentery that resulted from unsanitary living conditions in the wards.
The hospital had spiraled completely out of control by 1974 when the state ordered an inquiry into an outbreak of crime on the Creedmoor campus. Within 20 months, three rapes were reported, 22 assaults, 52 fires, 130 burglaries, six instances of suicide, a shooting, a riot, and an attempted murder, prompting an investigation into all downstate mental hospitals. As late as 1984, the violent ward of Creedmoor Psychiatric Center was rocked with scandal following the death of a patient, who had been struck in the throat by a staff member while restrained in a straitjacket.
In the late 20th Century, the development of antipsychotic medications and new standards of treatment for the mentally ill accelerated a trend toward deinstitutionalization. A series of dramatic budget cuts and dwindling patient populations led to the closing of farm colonies across the United States, and a marked decline at Creedmoor. The campus continues to operate today, housing only a few hundred patients and providing outpatient services, leaving its turbulent past behind. Many of the buildings have been sold off to new tenants. Others, like Building 25, lie fallow.
The building was an active ward until some time in the 1970s, and retains many mementos from its days as a residence and treatment center for the mentally ill. With peeling paint, dusty furniture, and dark corridors, the lower floors are typical of a long-abandoned hospital, but upstairs, the effect of time has taken a grotesque turn.
The smell alone is enough to drive anyone to the verge of madness, but the visual is even more appalling. For 40 years, generations of pigeons have defecated on the fourth floor of Building 25, far removed from their dim-witted dealings with the human world, assembling a monument all their own. Guano accumulates in grey mounds under popular roosts, with the tallest columns reaching several feet in height. Like the myriad formations of a cavern, Buiding 25’s guano stalagmites are a work in progress—pigeons roost at every turn, and they’re awfully dubious of outsiders. Violent outbursts of flight punctuate an otherworldly soundscape of low, rumbling coos. The filth acts as an acoustic insulator, making every movement impossibly close.
Two levels down and a world away from the top floor, a kitchen is filled with years’ worth of garbage intersected by narrow pathways. A living room, kept relatively tidy, features a sitting area with an array of chairs, including a homemade toilet. Loosely organized objects litter every surface—toiletries, clothing, hundreds of dead D batteries. Some of the belongings looked as if they hadn’t been touched for decades, but a newspaper dated to only a few weeks before confirmed my suspicion that someone was still living here.
I found him snoozing peacefully in a light-filled dayroom, surrounded by a series of patient murals. Once painted over, images of faraway lands, country gardens, and the Holy Mother are coming to light again as time peels back the layers. The image was surprising, unforgettably human, and imprudent to photograph. Declining to introduce myself, I passed once more through the dark, decaying halls of Building 25, leaving its charms, horrors, and mysteries for the birds. Back on solid ground, its impression wouldn’t fade for months—Building 25 has a way of recurring in dreams…