Two stark, imposing sister buildings at 160 and 62 Imlay St. tower over the industrial wastes of Red Hook, Brooklyn. One recently renovated into a high-tech Christie’s storage facility for multi-million dollar works of art, the other a hulking, empty shell, waiting for a second life.
Constructed in 1911-13, the identical twin loft buildings on 160 and 62 Imlay St. began their lives as storehouses for the New York Dock Company. They made up a small part of a “globe-encircling commercial undertaking,” which included a sprawling network of 200 warehouses, 39 piers, and three ship-to-rail freight terminals extending over three miles of the Brooklyn Waterfront.
Rapidly declining profits and outdated infrastructure resulted in a cessation of operations in 1983. The buildings were purchased by a developer in 2000 and 2002 for a combined 22 million. In 2003, plans for a residential overhaul of 160 Imlay fell through as a result of a lawsuit from the local Chamber of Commerce, which sought to retain an industrial use for the property.
Now at 62 Imlay St, floors once flooded with tobacco and cotton are welcoming a new set of residents—multimillion dollar works of art by the likes of Van Gogh, Brancusi, and Pollack. The facility is leased by the high-profile auction house Christie’s and is equipped with “infrared video cameras, biometric readers and motion-activated monitors, as well as smoke-, heat- and water-detection systems.”
Adjacent sits the other sister with an uncertain future, its broad, vacant interiors shielded with plastic and shrouded in black netted scaffolding, gutted in preparation for a rumored second attempt at a residential conversion.
This building marked my first venture into New York City’s lost world, a fascinating and rapidly disappearing network of derelict places, rich in history and visual appeal. Over the last 4 months, I’ve documented dozens of NYC’s most impressive abandoned relics, and I’ll be posting regular photoessays to share their little-known histories and reveal the strange beauty of their rarely seen interiors.